Michael Jennings

First name

Michael

Last name

Jennings

Jennings, Michael. 2014. “Rewriting Und Selbstzitate in Benjamins Spätprosa”. In Schwellen. Ansätze für Eine Neue Theorie Des Raums, Sigrid Bovitz and Maure Ponzi, Eds.. Düsseldorf: Düsseldorf University Press.

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Jennings, Michael. n.d. “Die Geheimnisse Der Dunklen Kammer. Michael SchmidtsBerlin Nach 45”. In Schwellenraum Fotobuch, Georgiana Banita Jörn Glasenapp, Eds.. Munich: Wilhelm Fink Verlag.

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Jennings, Michael. n.d. The Time Between the Pictures: German History in the Twentieth-Century Photobook.

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Jennings, Michael. 2013. “Nie Blaknij. Oblicze Niemieckiej Historii W Ein-Heit Michaela Schmidta, Krzysztof Pijarski, Trans.”. Teksty Drugie April 2013: 146-58.

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Jennings, Michael, Thomas Levin, and Michael Wood. 2013. “On Distraction”. Attention, no. 1. Referenced from www.attentionjournal.com: On Distraction.

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Jennings, Michael. 2013. “Doble Exposición. Escritura Palimpséstica Y Textura De Imagen En La Prosa Tardia De Benjamin”. Boletin De Estetica, no. 25: 25-59.

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Jennings, Michael. 1985. “’ Vergessen Von Aller Welt. ’ Literatur, Politik Und Identität in Klingers Dramen Des Sturm Und Drang”. Zeitschrift für Deutsche Philologie 104 (4): 494-506.

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Jennings, Michael. 1988. “Robert Musil and the Currents of Literary Modernism”. In Major Figures of Modern Austrian Literature, Donald G. Daviau, Ed.. Riverside: Aridadne Press.

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Jennings, Michael. 1988. “Reply to Richard Sieburth, ’Benjamin the Scrivener’”. Assemblage 7: 118-21.

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Jennings, Michael. 1989. “Robert Musil”. In Dictionary of Literary Biography: Twentieth Century German and Austrian Prose Fiction to 1945, Ed. James Hardin. Columbia, South Carolina: Bruccoli-Clark.

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Jennings, Michael. 1989. “Between Allegory and Aura: Walter Benjamin’s 1938 Reading of Franz Kafka”. Journal of the Kafka Society of America, no. 1-2: 42-50.

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Jennings, Michael. 1991. “Eine Gewaltige Erschütterung Des Tradierten: Walter Benjamin’s Political Recuperation of Franz Kafka”. In Fictions of Culture: Essays in Honor of Walter Sokel, Stephen Taubeneck, Ed.. Las Vegas: Peter Lang.

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Jennings, Michael. 1993. “Absolute Fragmentation: Walter Benjamin and Romantic Art Criticism”. Journal of Literary Criticism VI (1): 1-18.

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Jennings, Michael. 1992. “Walter Benjamin and the Theory of Art History”. In Walter Benjamin, Uwe Steiner, Ed.. Berlin: Europäischer Verlag der Wissenschaften.

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Jennings, Michael. 1994. “Against Expressionism: Wilhelm Worringer’s Theory of Art and Society”. In Invisible Cathedrals: The German Expressionist Art History of Wilhelm Worringer, Neil Donahue, Ed.. State College, Pennsylvania: Penn State Press.

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Jennings, Michael. 2011. “Walter Benjamin, Theology, Politics, Ca. 1922”. In The Weimar Moment: Theology and Liberal Politics in the German 1920’s, Len Kaplan and Rudy Koshar, Eds.. Lehigh, Pennsylvania: Lehigh University Press.

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Jennings, Michael. 2011. “I’m Not There: New York As Displaced Psychogeography in Uwe Johnson’s Jahrestage”. In Escape to Life: German Intellectuals in New York, A Compendium on Exile After 1933, Sigrid Weigel and Eckart Goebel, Eds.. Berlin: de Gruyter.

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Jennings, Michael. 2006. Walter Benjamin: The Writer of Modern Life, Essays on Charles Baudelaire. Cambridge: Harvard University Press.

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Jennings, Michael. 1983. “Benjamin As a Reader of Hölderlin: The Origin of Benjamin’s Theory of Literary Criticism”. The German Quarterly 56 (4): 544-56.

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Jennings, Michael. 2013. “Walter Benjamin, Siegfried Kracauer, and Weimar Criticism”. In Weimar Thought: A Contested Legacy, Peter Gordon and John McCormick, Eds.. Princeton: Princeton University Press.

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Jennings, Michael. 1984. “Mystical Selfhood and Self-Delusion: Narrative and Ethical Experimentation in Musil’s ‘Grigia’”. Modern Austrian Literature 17 (1): 59-77.

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Jennings, Michael. 2012. “Towards Eschatology: The Development of Benjamin’s Theological Politics in the Early 1920’s”. In Benjamin’s Anthropology, Carolin Duttinger, Ben Morgan, and Anthony Phelan, Eds.. Freiburg: Rombach Verlag.

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Jennings, Michael. 2011. “Double Take: Palimpsestic Writing and Image-Character in Benjamin’s Late Prose”. Benjamin Studien 2.

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Jennings, Michael. 2010. “Brinkmann’s Passio: Rom, Blicke and Conceptual Art”. In Passionen. Objekte - Schauplätze - Denkstile, Corina Caduff, Anne-Kathrin Reulecke, Ulrike Vedder, Eds.. Munich: Wilhelm Fink.

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Jennings, Michael. 2009. “The Mausoleum of Youth: Between Experience and Nihilism in Benjamin’s Berlin Childhood”. Paragraph 32 (3): 313-30.

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Jennings, Michael. 2009. “Moholy-Nagy: Photogram”. In Bauhaus 1919-1933: Workshops for Modernity, Barry Bergdoll and Leah Dickerman, Eds.. New York: Museum of Modern Art.

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Jennings, Michael. 2009. “The Object of Culture: Cultural Studies and the Demise of American Germanistik”. In The Meaning of Culture: German Studies in the 21st Century, Martin Kagel and Laura Tate Kagel, Eds.. Hannover: Wehrhahn Verlag.

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Jennings, Michael. 2008. “The Production, Reproduction, and Reception of the Work of Art”. In The Work of Art in the Age of Its Technological Reproducibility. Cambridge: Harvard University Press.

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Jennings, Michael. 2008. “Photography”. In The Work of Art in the Age of Its Technological Reproducibility. Cambridge: Harvard University Press.

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Jennings, Michael. 2006. “Walter Benjamin Reads Charles Baudelaire”. In The Writer of Modern Life: Essays on Charles Baudelaire. Cambridge: Harvard University Press.

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Jennings, Michael. 2004. “Walter Benjamin and the European Avant-Garde”. In The Cambridge Companion to Walter Benjamin. Cambridge: Cambridge University Press.

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Jennings, Michael. 1987. Dialectical Images: Walter Benjamin’s Theory of Literary Criticism. Ithaca: Cornell University Press.

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Jennings, Michael. 2003. “Not Fade Away: The Face of German History in Michael Schmidt’s Ein-Heit”. October Spring 2003 (106): 137-50.

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Jennings, Michael, and Marcus Bullock. 1996. Walter Benjamin: Selected Writings, Volume 1: Metaphysics of Youth, Writings 1912-1926. Cambridge: Harvard University Press.

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Jennings, Michael. 2003. “On the Banks of a New Lethe: Commodification and Experience in Walter Benjamin’s Late Work”. Boundary 2 30 (4): 89-104.

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Jennings, Michael, Howard Eiland, and Gary Smith. 1999. Walter Benjamin: Selected Writings, Volume 2: Crisis and Criticism, Writings 1926-1934. Cambridge: Harvard University Press.

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Jennings, Michael. 2000. “Agriculture, Industry, and the Birth of the Photo Essay in the Late Weimar Republic”. October Summer 2000 (93): 23-56.

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Jennings, Michael. 1999. “Das Trugbild Der Stabilität: Politik Und Montagetheorie in Benjamins Einbahnstraße”. In Klaus Garber, ed., Global Benjamin. Munich: Wilhelm Fink.

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Jennings, Michael. 1998. “Of Weimar’s First and Last Things: Montage, Revolution, and Fascism in Alfred Döblin’s Berlin Alexanderplatz and November 1918”. In Politics in German Literature, Beth Bjorklund and Mark Cory, Eds.. Columbia, South Carolina: Camden House.

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