Michael Jennings

First name

Michael

Last name

Jennings

Jennings, Michael. n.d. “Die Geheimnisse Der Dunklen Kammer. Michael SchmidtsBerlin Nach 45”. In Schwellenraum Fotobuch, Georgiana Banita Jörn Glasenapp, Eds.. Munich: Wilhelm Fink Verlag.

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Jennings, Michael. n.d. The Time Between the Pictures: German History in the Twentieth-Century Photobook.

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Jennings, Michael. 2013. “Nie Blaknij. Oblicze Niemieckiej Historii W Ein-Heit Michaela Schmidta, Krzysztof Pijarski, Trans.”. Teksty Drugie April 2013: 146-58.

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Jennings, Michael. 2014. “Rewriting Und Selbstzitate in Benjamins Spätprosa”. In Schwellen. Ansätze Für Eine Neue Theorie Des Raums, Sigrid Bovitz and Maure Ponzi, Eds.. Düsseldorf: Düsseldorf University Press.

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Jennings, Michael, Thomas Levin, and Michael Wood. 2013. “On Distraction”. Attention, no. 1. Referenced from www.attentionjournal.com: On Distraction.

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Jennings, Michael. 2013. “Doble Exposición. Escritura Palimpséstica Y Textura de Imagen en la Prosa Tardia de Benjamin”. Boletin de Estetica, no. 25: 25-59.

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Jennings, Michael. 1985. “’ Vergessen Von Aller Welt. ’ Literatur, Politik Und Identität in Klingers Dramen Des Sturm Und Drang”. Zeitschrift Für Deutsche Philologie 104 (4): 494-506.

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Jennings, Michael. 1988. “Robert Musil and the Currents of Literary Modernism”. In Major Figures of Modern Austrian Literature, Donald G. Daviau, Ed.. Riverside: Aridadne Press.

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Jennings, Michael. 1988. “Reply to Richard Sieburth, ’Benjamin the Scrivener’”. Assemblage 7: 118-21.

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Jennings, Michael. 1989. “Robert Musil”. In Dictionary of Literary Biography: Twentieth Century German and Austrian Prose Fiction to 1945, Ed. James Hardin. Columbia, South Carolina: Bruccoli-Clark.

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Jennings, Michael. 1989. “Between Allegory and Aura: Walter Benjamin’s 1938 Reading of Franz Kafka”. Journal of the Kafka Society of America, no. 1-2: 42-50.

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Jennings, Michael. 1991. “Eine Gewaltige Erschütterung Des Tradierten: Walter Benjamin’s Political Recuperation of Franz Kafka”. In Fictions of Culture: Essays in Honor of Walter Sokel, Stephen Taubeneck, Ed.. Las Vegas: Peter Lang.

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Jennings, Michael. 1993. “Absolute Fragmentation: Walter Benjamin and Romantic Art Criticism”. Journal of Literary Criticism VI (1): 1-18.

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Jennings, Michael. 1992. “Walter Benjamin and the Theory of Art History”. In Walter Benjamin, Uwe Steiner, Ed.. Berlin: Europäischer Verlag der Wissenschaften.

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Jennings, Michael. 1994. “Against Expressionism: Wilhelm Worringer’s Theory of Art and Society”. In Invisible Cathedrals: The German Expressionist Art History of Wilhelm Worringer, Neil Donahue, Ed.. State College, Pennsylvania: Penn State Press.

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Jennings, Michael. 2011. “Walter Benjamin, Theology, Politics, Ca. 1922”. In The Weimar Moment: Theology and Liberal Politics in the German 1920’s, Len Kaplan and Rudy Koshar, Eds.. Lehigh, Pennsylvania: Lehigh University Press.

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Jennings, Michael. 2011. “I’m Not There: New York As Displaced Psychogeography in Uwe Johnson’s Jahrestage”. In Escape to Life: German Intellectuals in New York, A Compendium on Exile After 1933, Sigrid Weigel and Eckart Goebel, Eds.. Berlin: de Gruyter.

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Jennings, Michael. 2013. “Walter Benjamin, Siegfried Kracauer, and Weimar Criticism”. In Weimar Thought: A Contested Legacy, Peter Gordon and John McCormick, Eds.. Princeton: Princeton University Press.

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Jennings, Michael. 1984. “Mystical Selfhood and Self-Delusion: Narrative and Ethical Experimentation in Musil’s ‘Grigia’”. Modern Austrian Literature 17 (1): 59-77.

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Jennings, Michael. 2012. “Towards Eschatology: The Development of Benjamin’s Theological Politics in the Early 1920’s”. In Benjamin’s Anthropology, Carolin Duttinger, Ben Morgan, and Anthony Phelan, Eds.. Freiburg: Rombach Verlag.

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Jennings, Michael. 2011. “Double Take: Palimpsestic Writing and Image-Character in Benjamin’s Late Prose”. Benjamin Studien 2.

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Jennings, Michael. 2010. “Brinkmann’s Passio: Rom, Blicke and Conceptual Art”. In Passionen. Objekte - Schauplätze - Denkstile, Corina Caduff, Anne-Kathrin Reulecke, Ulrike Vedder, Eds.. Munich: Wilhelm Fink.

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Jennings, Michael. 2009. “The Mausoleum of Youth: Between Experience and Nihilism in Benjamin’s Berlin Childhood”. Paragraph 32 (3): 313-30.

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Jennings, Michael. 2009. “Moholy-Nagy: Photogram”. In Bauhaus 1919-1933: Workshops for Modernity, Barry Bergdoll and Leah Dickerman, Eds.. New York: Museum of Modern Art.

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Jennings, Michael. 2009. “The Object of Culture: Cultural Studies and the Demise of American Germanistik”. In The Meaning of Culture: German Studies in the 21st Century, Martin Kagel and Laura Tate Kagel, Eds.. Hannover: Wehrhahn Verlag.

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Jennings, Michael. 2008. “The Production, Reproduction, and Reception of the Work of Art”. In The Work of Art in the Age of Its Technological Reproducibility. Cambridge: Harvard University Press.

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Jennings, Michael. 2008. “Photography”. In The Work of Art in the Age of Its Technological Reproducibility. Cambridge: Harvard University Press.

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Jennings, Michael. 2006. “Walter Benjamin Reads Charles Baudelaire”. In The Writer of Modern Life: Essays on Charles Baudelaire. Cambridge: Harvard University Press.

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Jennings, Michael. 2004. “Walter Benjamin and the European Avant-Garde”. In The Cambridge Companion to Walter Benjamin. Cambridge: Cambridge University Press.

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Jennings, Michael. 1987. Dialectical Images: Walter Benjamin’s Theory of Literary Criticism. Ithaca: Cornell University Press.

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Jennings, Michael. 2003. “Not Fade Away: The Face of German History in Michael Schmidt’s Ein-Heit”. October Spring 2003 (106): 137-50.

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Jennings, Michael, and Marcus Bullock. 1996. Walter Benjamin: Selected Writings, Volume 1: Metaphysics of Youth, Writings 1912-1926. Cambridge: Harvard University Press.

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Jennings, Michael. 2003. “On the Banks of a New Lethe: Commodification and Experience in Walter Benjamin’s Late Work”. Boundary 2 30 (4): 89-104.

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Jennings, Michael, Howard Eiland, and Gary Smith. 1999. Walter Benjamin: Selected Writings, Volume 2: Crisis and Criticism, Writings 1926-1934. Cambridge: Harvard University Press.

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Jennings, Michael. 2000. “Agriculture, Industry, and the Birth of the Photo Essay in the Late Weimar Republic”. October Summer 2000 (93): 23-56.

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Jennings, Michael. 1999. “Das Trugbild Der Stabilität: Politik Und Montagetheorie in Benjamins Einbahnstraße”. In Klaus Garber, Ed., Global Benjamin. Munich: Wilhelm Fink.

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Jennings, Michael. 1998. “Of Weimar’s First and Last Things: Montage, Revolution, and Fascism in Alfred Döblin’s Berlin Alexanderplatz and November 1918”. In Politics in German Literature, Beth Bjorklund and Mark Cory, Eds.. Columbia, South Carolina: Camden House.

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Jennings, Michael. 2006. Walter Benjamin: The Writer of Modern Life, Essays on Charles Baudelaire. Cambridge: Harvard University Press.

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Jennings, Michael. 1983. “Benjamin As a Reader of Hölderlin: The Origin of Benjamin’s Theory of Literary Criticism”. The German Quarterly 56 (4): 544-56.

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