In Preparation
Jennings, Michael. The Time Between the Pictures: German History in the Twentieth-Century Photobook. N.p. Print.
Jennings, Michael W., and Ulrich Fries. Alexander Kluge in Seiner Zeit. Eine Kritische Biographie. N.p. Print.
Forthcoming
Jennings, Michael. “Die Geheimnisse Der Dunklen Kammer. Michael SchmidtsBerlin Nach 45.” Schwellenraum Fotobuch, Georgiana Banita Jörn Glasenapp, Eds. Munich: Wilhelm Fink Verlag. Print.
Jennings, Michael W. “Walter Benjamin.” Hopkins Guide to Theory. Baltimore: Johns Hopkins University Press. Print.
Jennings, Michael W., and Howard Eiland. Walter Benjamin. Eine Biographie. Berlin: Suhrkamp Verlag. Print.
Jennings, Michael W., and Howard Eiland. Walter Benjamin. Madrid: Tajamar Editores. Print.
2018
Jennings, Michael W., Horst Nitschack, and Miguel Vetter. ““En La Orilla De Un Nuevo Lethe. Mercantilización Y Experiencia En El Baudelaire De Walter Benjamin” (Spanish Translation of ‘On the Banks of a New Lethe: Commodification and Experience in Walter Benjamin’s Late Work’).” Esperanza, Pero No Para Nosotros. Capitalismo, técnica Y estética En Walter Benjamin. Santiago, Chile: LOM Editiones, 2018. Print.
Jennings, Michael W., and Howard Eiland. Walter Benjamin: A Critical Life (Russian Translation). Moscow: Delo Publishers, 2018. Print.
Jennings, Michael W., and Howard Eiland. Walter Benjamin: A Critical Life (Korean Translation). Seoul: Geulhangari Publishers, 2018. Print.
2017
Jennings, Michael W. “ Zum
Apokatastatischen
Willen.
Patristik
Und
Esoterische
Judaistik
in
Benjamins
Spätwerk .” Aura Und Experiment. Walter Benjamins Epistemologie Zwischen Geistes- Und Naturwissenschaft, Kyung-Ho Cha, Ed. Vienna: Turia + Kant, 2017. Print.
Jennings, Michael W. “The Secrets of the Darkened Chamber: Michael Schmidt’s Berlin After 45.” October (2017): n. pag. Print.
Jennings, Michael W. “The Agency of Things: Infrastructural Space in Weimar Industrial Photography.” Monatshefte (2017): n. pag. Print.
2016
Jennings, Michael W. “The Will to Apokatastasis: Media, Experience, and Eschatology in Walter Benjamin’s Late Theological Politics.” Walter Benjamin’s Theology, Colby Dickinson and Stéphane Symon, Eds. New York: Fordham University Press, 2016. Print.
Jennings, Michael W. “Introduction.” Walter Benjamin, One Way Street. Cambridge: Harvard University Press, 2016. Print.
Jennings, Michael W. Walter Benjamin: One Way Street. Cambridge: Harvard University Press, 2016. Print.
2015
Jennings, Michael W., and Howard Eiland. Walter Benjamin: Una Biografica Critica (Italian Translation of Walter Benjamin: A Critical Life). Turin: Giulio Einaudi Editore, 2015. Print.
2014
Eiland, Howard, and Michael Jennings. Walter Benjamin: A Critical Life. Cambridge: Harvard University Press, 2014.
Jennings, Michael. “Rewriting Und Selbstzitate in Benjamins Spätprosa.” Schwellen. Ansätze für Eine Neue Theorie Des Raums, Sigrid Bovitz and Maure Ponzi, Eds. Düsseldorf: Düsseldorf University Press, 2014. Print.
2013
Jennings, Michael. “Doble Exposición. Escritura Palimpséstica Y Textura De Imagen En La Prosa Tardia De Benjamin.” Boletin de Estetica 25 (2013): 25–59. Print.
Jennings, Michael, Thomas Levin, and Michael Wood. “On Distraction.” Attention 1 (2013): n. pag.
Jennings, Michael. “Nie Blaknij. Oblicze Niemieckiej Historii W Ein-Heit Michaela Schmidta, Krzysztof Pijarski, Trans..” Teksty Drugie April 2013 (2013): 146–158. Print.
Jennings, Michael. “Walter Benjamin, Siegfried Kracauer, and Weimar Criticism.” Weimar Thought: A Contested Legacy, Peter Gordon and John McCormick, Eds. Princeton: Princeton University Press, 2013. Print.
2012
Jennings, Michael. “Towards Eschatology: The Development of Benjamin’s Theological Politics in the Early 1920’s.” Benjamin’s Anthropology, Carolin Duttinger, Ben Morgan, and Anthony Phelan, Eds. Freiburg: Rombach Verlag, 2012. Print.
2011
Jennings, Michael. “Walter Benjamin, Theology, Politics, Ca. 1922.” The Weimar Moment: Theology and Liberal Politics in the German 1920’s, Len Kaplan and Rudy Koshar, Eds. Lehigh, Pennsylvania: Lehigh University Press, 2011. Print.
Jennings, Michael. “I’m Not There: New York As Displaced Psychogeography in Uwe Johnson’s Jahrestage.” Escape to Life: German Intellectuals in New York, A Compendium on Exile After 1933, Sigrid Weigel and Eckart Goebel, Eds. Berlin: de Gruyter, 2011. Print.
Jennings, Michael, and Stanley Corngold. “Kafka’s Late Style, Special Issue of Monatshefte.” 2011: n. pag. Print.
Jennings, Michael. “Double Take: Palimpsestic Writing and Image-Character in Benjamin’s Late Prose.” Benjamin Studien 2 (2011): n. pag. Print.
2010
Jennings, Michael, and Tobias Wilke. “Benjamin’s Media Tactics.” Grey Room 39 (2010): 6–9. Print.
Jennings, Michael, and Detlef Mertins. “The G-Group and Avant-Garde Culture in the Weimar Republic.” G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923-1926. Los Angeles: Getty Research Press, 2010. Print.
Jennings, Michael. “Brinkmann’s Passio: Rom, Blicke and Conceptual Art.” Passionen. Objekte - Schauplätze - Denkstile, Corina Caduff, Anne-Kathrin Reulecke, Ulrike Vedder, Eds. Munich: Wilhelm Fink, 2010. Print.
Jennings, Michael, and Tobias Wilke. “Walter Benjamin’s Media Tactics: Optics, Perception, and the Work of Art, Special Issue of Grey Room.” 2010: n. pag. Print.
Jennings, Michael, and Detlef Mertins. G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923-1926. Los Angeles: Getty Research Institute, 2010. Print.
2009
Jennings, Michael. “The Mausoleum of Youth: Between Experience and Nihilism in Benjamin’s Berlin Childhood.” Paragraph 32.3 (2009): 313–330. Print.
Jennings, Michael. “Moholy-Nagy: Photogram.” Bauhaus 1919-1933: Workshops for Modernity, Barry Bergdoll and Leah Dickerman, Eds. New York: Museum of Modern Art, 2009. Print.
Jennings, Michael. “The Object of Culture: Cultural Studies and the Demise of American Germanistik.” The Meaning of Culture: German Studies in the 21st Century, Martin Kagel and Laura Tate Kagel, Eds. Hannover: Wehrhahn Verlag, 2009. Print.
2008
Jennings, Michael, Brigid Doherty, and Thomas Levin. “Introduction.” The Work of Art in the Age of Its Technological Reproducibility. Cambridge: Harvard University Press, 2008. Print.
Jennings, Michael. “The Production, Reproduction, and Reception of the Work of Art.” The Work of Art in the Age of Its Technological Reproducibility. Cambridge: Harvard University Press, 2008. Print.
Jennings, Michael, and Brigid Doherty. “Script Image Script-Image.” The Work of Art in the Age of Its Technological Reproducibility. Cambridge: Harvard University Press, 2008. Print.
Jennings, Michael, and Thomas Levin. “Modern Media.” The Work of Art in the Age of Its Technological Reproducibility. Cambridge: Harvard University Press, 2008. Print.
Jennings, Michael. “Photography.” The Work of Art in the Age of Its Technological Reproducibility. Cambridge: Harvard University Press, 2008. Print.
Jennings, Michael, Brigid Doherty, and Thomas Levin. Walter Benjamin: The Work of Art in the Age of Its Technological Reproducibility: Writings on Media. Cambridge: Harvard University Press, 2008. Print.
2006
Jennings, Michael. “Walter Benjamin Reads Charles Baudelaire.” The Writer of Modern Life: Essays on Charles Baudelaire. Cambridge: Harvard University Press, 2006. Print.
Jennings, Michael. Walter Benjamin: The Writer of Modern Life, Essays on Charles Baudelaire. Cambridge: Harvard University Press, 2006. Print.
2004
Jennings, Michael. “Walter Benjamin and the European Avant-Garde.” The Cambridge Companion to Walter Benjamin. Cambridge: Cambridge University Press, 2004. Print.
2003
Eiland, Howard, and Michael Jennings. “Chronology, 1938-1940.” Walter Benjamin, Selected Writings, Volume Four. Cambridge: Harvard University Press, 2003. Print.
Eiland, Howard, and Michael Jennings. Walter Benjamin: Selected Writings, Volume 4: On the Concept of History, Writings 1938-1940. Cambridge: Harvard University Press, 2003. Print.
Jennings, Michael. “Not Fade Away: The Face of German History in Michael Schmidt’s Ein-Heit.” October Spring 2003.106 (2003): 137–150. Print.
Jennings, Michael. “On the Banks of a New Lethe: Commodification and Experience in Walter Benjamin’s Late Work.” boundary 2 30.4 (2003): 89–104. Print.
2002
Eiland, Howard, and Michael Jennings. “Chronology, 1935-1938.” Walter Benjamin, Selected Writings, Volume Three. Cambridge: Harvard University Press, 2002. Print.
Eiland, Howard, and Michael Jennings. Walter Benjamin: Selected Writings, Volume 3, Paris, Capital of the Nineteenth Century, Writings 1935-1938. Cambridge: Harvard University Press, 2002. Print.